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Not Heidi

(1,431 posts)
Wed Oct 16, 2024, 05:53 AM Yesterday

I sing. I'm studying and getting pretty good.

I intend to audition for the Orange County (CA) Women's Chorus. I'm working with a coach, who is tremendous. Very good at what he does. Besides voice, he's also teaching me solfege*, to read music, to master rhythm, and more.

I have a serious problem, though. I can't get through my chosen audition song without tearing up. I hate it, but I'd hate it worse if it happened in my audition.

Does anyone have any ideas as to how to handle this? I don't know when my audition will be, but suspect early- to mid-2025.

Thanks for whatever advice, or even just comments you have.

*The key is to watch the hell out of The Sound of Music (doe, a deer . . .). 😉

6 replies = new reply since forum marked as read
Highlight: NoneDon't highlight anything 5 newestHighlight 5 most recent replies
I sing. I'm studying and getting pretty good. (Original Post) Not Heidi Yesterday OP
I understand there are some things I can't even say without choking up. Now I'm wondering what song it is. Walleye Yesterday #1
Just keep singing it until there are few tears left, but it's okay to cry. Doodley Yesterday #2
It shows the passion you have... MiHale Yesterday #3
This (mostly) abates with practice. ramen Yesterday #4
I've had success with concentrating on the technicsl woodsprite 23 hrs ago #5
I'd Try Focusing, Or Even... ProfessorGAC 13 hrs ago #6

Walleye

(34,559 posts)
1. I understand there are some things I can't even say without choking up. Now I'm wondering what song it is.
Wed Oct 16, 2024, 06:53 AM
Yesterday

MiHale

(10,570 posts)
3. It shows the passion you have...
Wed Oct 16, 2024, 07:31 AM
Yesterday

Sometimes the missing ingredient in a performance. Emotion can’t be faked.

ramen

(854 posts)
4. This (mostly) abates with practice.
Wed Oct 16, 2024, 08:15 AM
Yesterday

A piece can still grab and shake you unexpectedly, but heavy repetition should sand off some of that top layer of emotion so that you can still deeply feel what you are singing while still being able to get through singing it. I would avoid suppressing the emotion in that phase of practice: you don't want to bury the reaction, you want to repeatedly confront and live in it clearly enough that it stops controlling you.

woodsprite

(12,142 posts)
5. I've had success with concentrating on the technicsl
Wed Oct 16, 2024, 08:36 AM
23 hrs ago

Aspects of the song, and repetition. Sometimes I’ll pinch my hand or hold something. What song is it?

I’m glad you’re doing well and enjoying the lessons. Solfeg is not my favorite thing, but it can really help with sight reading. My high school director would pick out a few stanzas from the solfegio reader and we’d do them before each rehearsal.

I just told our Director last night that I’m interested in a solo or duet for Christmas. He said he’s going to start pointing to people next week. He knows me well so I’m hoping he considers my breath control challenge when assigning one.

Best of luck on the audition!

Oh, and crying with emotional songs is why I don’t sing a funerals. I have done a few weddings though. Also, if it’s in a foreign language, it helps!

ProfessorGAC

(69,175 posts)
6. I'd Try Focusing, Or Even...
Wed Oct 16, 2024, 07:09 PM
13 hrs ago

...overfocusing, on technique.
"What does my throat feel like on this note?" "Exactly when am I going to draw a breath?", "How much vibrato do I need?"...
That might distract you from the lyrical meaning enough to keep control.

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